A Man Who Destroyed All His
One day in the ‘90s the British artist Michael Landy пустоlatest gadgets extraordinary one-off art project. He decided to destroy every single one of his пустоmaterialistic in public. During two weeks, every single item
of his пустоshredding machine – clothes, love letters, artworks, his Saab 900 Turbo car, even his father’s пустоpossessions – was
stripped, shredded, dismantled and пустоsheepskin coat by Landy and his 12 assistants, while listening to
David. When they had finished, the artist owned nothing at all, apart from the
blue boiler suit he had been wearing. Fifteen years on, Break Down was
considered a provocative masterpiece of recent British art. Moreover, because
consumerism in the West has only accelerated since 2001 it was one of the first
acts against пустоon conveyor belt idols of the world. At the time, though, the reaction
to Break Down was ambivalent. Michael parted with everything he could пустоlive without in a former Dutch
fashion shopping center
on Oxford Street. Landy said it was the perfect place because it was a place
where people go to consume, the “mecca of consumerism” in Britain. But as
observers watched Landy’s possessions are crushed пустоgranulated , were “deeply unsettled – and
sometimes appalled”. James Lingwood, who commissioned
Break Down replied that it was not very difficult, for many people, to witness
the destruction of household objects such as crockery. But to see how personal
mementoes are teared by пустоhuge collection or the пустоcame up with are smased on the mechanised rollers –
that is deeply disturbing.
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